&lt;p&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;orphans:0&quot;&gt;&lt;span style=&quot;widows:0&quot;&gt;&lt;font color=&quot;#000000&quot;&gt;&lt;font face=&quot;Arial, serif&quot;&gt;R&amp;eacute;sum&amp;eacute;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;orphans:0&quot;&gt;&lt;span style=&quot;widows:0&quot;&gt;&lt;font color=&quot;#000000&quot;&gt;&lt;font face=&quot;Arial, serif&quot;&gt;L&amp;rsquo;&amp;eacute;criture ordinaire associe la variabilit&amp;eacute; des supports et la persistance de la forme des trac&amp;eacute;s. L&amp;rsquo;information discr&amp;egrave;te non probabiliste (l&amp;rsquo;information usuelle de l&amp;rsquo;informaticien) est abord&amp;eacute;e via l&amp;rsquo;id&amp;eacute;e de traduction transph&amp;eacute;nom&amp;eacute;nale qui implique l&amp;rsquo;abandon de toute trace de ph&amp;eacute;nom&amp;eacute;nalit&amp;eacute; et de forme des trac&amp;eacute;s empiriques pour ne retenir qu&amp;rsquo;un invariant de traduction d&amp;eacute;termin&amp;eacute; comme une distinctivit&amp;eacute; mutuelle d&amp;rsquo;&amp;eacute;l&amp;eacute;ments indiscernables. Cet invariant fonctionne comme une sym&amp;eacute;trie o&amp;ugrave; le degr&amp;eacute; de distinctivit&amp;eacute;, qui peut se comprendre comme une quantit&amp;eacute; d&amp;rsquo;information, a pour contrepartie une jauge d&amp;rsquo;ind&amp;eacute;termination, de m&amp;ecirc;me degr&amp;eacute;, correspondant &amp;agrave; l&amp;rsquo;indiscernabilit&amp;eacute; des &amp;eacute;l&amp;eacute;ments. Cette approche permet de d&amp;eacute;plier la fiction qui assimile les traitements d&amp;rsquo;information &amp;agrave; des manipulations de symboles.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;orphans:0&quot;&gt;&lt;span style=&quot;widows:0&quot;&gt;&lt;font color=&quot;#000000&quot;&gt;&lt;font face=&quot;Arial, serif&quot;&gt;Abstract&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;orphans:0&quot;&gt;&lt;span style=&quot;widows:0&quot;&gt;&lt;font color=&quot;#000000&quot;&gt;&lt;font face=&quot;Arial, serif&quot;&gt;The usual practice of writing combines the variability of the mediums and the persistence of the drawn shapes. Information (as meant by the computer engineer: discrete and not probabilistic) is approached with the idea of &amp;ldquo;transphenomenal translation&amp;rdquo; which removes any trace of phenomenality and empirical shape in order to retain nothing else than a translation invariant characterized as a mutual distinctivity of indiscernible elements. This invariant acts like a symmetry where the degree of distinctivity, which may be understood as a quantity of information, implies on the other hand a gauge of indetermination, with the same degree, corresponding to the indiscernibility of the elements. With this approach, I analyze the fiction stating that information processing is like symbols manipulation.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;