&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;R&amp;Eacute;SUM&amp;Eacute;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;&amp;Agrave; l&amp;rsquo;origine le terme &amp;ldquo;documenteur&amp;rdquo; fait r&amp;eacute;f&amp;eacute;rence dans la litt&amp;eacute;rature &amp;agrave; un m&amp;eacute;trage de fiction, ou encore un canular, reprenant les codes du documentaire. Internet et l&amp;rsquo;&amp;eacute;conomie de l&amp;rsquo;attention ont cependant fait &amp;eacute;merger un nouveau type de documenteur. Si leurs motivations peuvent varier, allant du p&amp;eacute;cuniaire &amp;agrave; l&amp;#39;id&amp;eacute;ologie, leur objectif est d&amp;rsquo;&amp;ecirc;tre utilis&amp;eacute; dans le cadre d&amp;rsquo;une guerre informationnelle &amp;agrave; remporter, notamment en &amp;eacute;teignant l&amp;rsquo;esprit critique du spectateur pour susciter un maximum d&amp;rsquo;adh&amp;eacute;sion.&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Cette publication a pour objectif de permettre le d&amp;eacute;cryptage de ces objets, pour mieux les identifier, mais aussi mettre en &amp;eacute;vidence une guerre informationnelle. Est propos&amp;eacute;e une nouvelle terminologie, ainsi qu&amp;rsquo;une matrice d&amp;rsquo;analyse constitu&amp;eacute;e de plusieurs crit&amp;egrave;res, d&amp;eacute;clin&amp;eacute;s au fil d&amp;rsquo;un &amp;ldquo;continuum d&amp;rsquo;engagement&amp;rdquo;, qui permettra de d&amp;eacute;terminer, pour un documentaire, si ce dernier est &amp;agrave; tendance informative, engag&amp;eacute;e, sensationnaliste ou documenteur. Trois documentaires &amp;agrave; succ&amp;egrave;s ayant &amp;eacute;t&amp;eacute; produits dans le cadre de guerres de&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;l&amp;rsquo;information seront analys&amp;eacute;s : Loose Change, La R&amp;eacute;v&amp;eacute;lation des Pyramides, Hold-Up.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;MOTS-CL&amp;Eacute;S&lt;br /&gt;
Manipulation de la connaissance, d&amp;eacute;sinformation, guerre de l&amp;#39;information, mensonge, fake news, &amp;eacute;conomie de l&amp;#39;attention&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;&amp;ldquo;Pseudo-documentaries&amp;rdquo;, a new weapon in the information war&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;SUMMARY&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;The term &amp;ldquo;pseudo-documentary&amp;rdquo; originally refers to fictitious or parodic work of art that relies on the codes of the documentary. However, the Internet and the concept of attention economy have given rise to a new type of pseudo-documentary. If the motives behind these videos may vary from money-related to ideological matters, their objective is to be used in the framework of an informational war and to extinguish the spectator&amp;rsquo;s critical thinking so as to maximize commitment to the message.&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;This publication aims to ease the decoding of these media in order to better identify them, but also to evaluate with clarity that an information war is at play. We propose a new classification and a matrix comprising various criteria that are arranged in a &amp;ldquo;commitment continuum&amp;rdquo;. The tools provided in this publication will help determine, for any documentary, whether it is informative, invested, sensationalist, or a mockumentary. Three highly mediatized documentaries having been produced in the context of information wars will be analyzed with this matrix: Loose Change, La R&amp;eacute;v&amp;eacute;lation des Pyramides, and Hold-up.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p style=&quot;text-align:justify; margin-bottom:11px&quot;&gt;&lt;span style=&quot;font-size:11pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span style=&quot;font-family:Calibri, sans-serif&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;KEYWORDS&lt;br /&gt;
Knowledge manipulation, disinformation, information war, deception, fake news, attention economy&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;