&lt;h3 aria-level=&quot;3&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{145}&quot; paraid=&quot;724816929&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;Abstract&amp;nbsp;&lt;/h3&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{156}&quot; paraid=&quot;419882864&quot; xml:lang=&quot;FR-FR&quot;&gt;Through a trajectory always at the frontiers, between listening to spaces and listening spaces, St&amp;eacute;phane Marin testifies here to his path of situated sound writing, rather outside the walls, and radically outside La Radio.&amp;nbsp;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{163}&quot; paraid=&quot;361986531&quot; xml:lang=&quot;FR-FR&quot;&gt;He reports on his phonographic practice deployed within experiences, rituals and devices of shared listening in situ, as an auxiliary of what could be one of the off-fields of documentary, understood as its condition of reception, or even of emergence: a &amp;ldquo;beautiful&amp;rdquo; listening, at least a &amp;ldquo;different&amp;rdquo; listening.&amp;nbsp;&amp;nbsp;&lt;/p&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{170}&quot; paraid=&quot;334457793&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;strong&gt;Keywords&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;
&amp;nbsp;&lt;/p&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{181}&quot; paraid=&quot;1960543063&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;sound documentary, sound writing, St&amp;eacute;phane Marin, phoNosynth&amp;egrave;se, Field Recording, phoNography&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{210}&quot; paraid=&quot;1034898684&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{217}&quot; paraid=&quot;5134816&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{224}&quot; paraid=&quot;1572570362&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;1. Introduction par Ir&amp;egrave;ne Om&amp;eacute;lianenko&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{546441d9-afbb-465a-9052-ca3a1c7e4241}{235}&quot; paraid=&quot;1059501244&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{2}&quot; paraid=&quot;49282483&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/t__nN6P8gV0&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 1&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{9}&quot; paraid=&quot;2013229476&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;300&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105125839-1.jpeg&quot; width=&quot;201&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{21}&quot; paraid=&quot;1141268079&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;2. Un parcours sonore&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{32}&quot; paraid=&quot;1292899489&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{54}&quot; paraid=&quot;1632830262&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/vcu0td5jCgo&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 2&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{61}&quot; paraid=&quot;1286045438&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;200&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105125839-2.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{73}&quot; paraid=&quot;258275814&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;3. Ma moche radio&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{106}&quot; paraid=&quot;1095594991&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/gJ0XkL6knLs&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 3&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{113}&quot; paraid=&quot;810340450&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;156&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105125839-3.png&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{125}&quot; paraid=&quot;1581249980&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;4. Quelle &amp;eacute;coute ? A ‒ La phoNosynth&amp;egrave;se&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{147}&quot; paraid=&quot;490651190&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{158}&quot; paraid=&quot;386118921&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/K2Ylr3xUuFg&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 4&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&amp;nbsp;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{165}&quot; paraid=&quot;2046563422&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;300&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105125839-4.png&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{177}&quot; paraid=&quot;428133916&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;5. Quelle &amp;eacute;coute ? B ‒ Une po&amp;eacute;tique de la banalit&amp;eacute;&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{199}&quot; paraid=&quot;1191962790&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{210}&quot; paraid=&quot;286696248&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/H-NbIkpd0Ek&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 5&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{217}&quot; paraid=&quot;314451699&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;200&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105125839-5.jpeg&quot; width=&quot;300&quot; /&gt;&amp;nbsp;&amp;nbsp;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{229}&quot; paraid=&quot;721614645&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;6. Quelle &amp;eacute;coute ? C ‒ Les discrets&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{a7f1fb03-a7ab-4bf0-8063-280fc734ba51}{251}&quot; paraid=&quot;2071214665&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{7}&quot; paraid=&quot;696306787&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/rMeWkCZItpk&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 6&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{14}&quot; paraid=&quot;751378197&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;225&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105125839-6.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{26}&quot; paraid=&quot;572146386&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;7. Quelle &amp;eacute;coute ? D ‒ Dramaturgie de l&amp;rsquo;in-qui&amp;eacute;tude&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{37}&quot; paraid=&quot;86615063&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{48}&quot; paraid=&quot;1570183421&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{59}&quot; paraid=&quot;482159664&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/DrcAcyevhHg&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 7&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{66}&quot; paraid=&quot;226107089&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;225&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105130227-1.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{78}&quot; paraid=&quot;1134951892&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;8. Field Recording &amp;amp; phoNographie&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{100}&quot; paraid=&quot;68564295&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{111}&quot; paraid=&quot;1796825297&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/NKk4Dnst3ik&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 8&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{118}&quot; paraid=&quot;1014199792&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;225&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105130227-2.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{130}&quot; paraid=&quot;1478543503&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;9. Mes dispositifs. A ‒ Contextuel / Exp&amp;eacute;rientiel&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{141}&quot; paraid=&quot;1531308889&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{152}&quot; paraid=&quot;130984986&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{163}&quot; paraid=&quot;588794484&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/E_YXQw9ZWVY&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 9&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{177}&quot; paraid=&quot;1966332606&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;300&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105130227-3.jpeg&quot; width=&quot;225&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{189}&quot; paraid=&quot;2104466791&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;10. Mes dispositifs. B ‒ Usage des casques&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{211}&quot; paraid=&quot;175245040&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{222}&quot; paraid=&quot;1949950238&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/P8YfccjRWHM&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 10&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{229}&quot; paraid=&quot;766492093&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;225&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105130227-4.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{2419c056-36fe-4aea-9746-4c0dc4092534}{241}&quot; paraid=&quot;2116768322&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;11. En guise de conclusion&amp;nbsp;&lt;/small&gt;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{8}&quot; paraid=&quot;668434840&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{19}&quot; paraid=&quot;184122368&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/1kC8i5wql64&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 11&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p aria-level=&quot;4&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{26}&quot; paraid=&quot;935314613&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;img height=&quot;169&quot; src=&quot;https://www.numerev.com/img/ck_3144_30_image-20240105130227-5.jpeg&quot; width=&quot;300&quot; /&gt;&lt;/p&gt;

&lt;h2 aria-level=&quot;2&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{38}&quot; paraid=&quot;1420727545&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;12. &amp;Eacute;changes avec l&amp;rsquo;auditoire&amp;nbsp;&lt;br /&gt;
&amp;nbsp;&lt;/h2&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{71}&quot; paraid=&quot;989441383&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;small&gt;&lt;a href=&quot;https://youtu.be/CS4AKjcCxbg&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Audio 12&amp;nbsp;&lt;/strong&gt;&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{71}&quot; paraid=&quot;989441383&quot; xml:lang=&quot;FR-FR&quot;&gt;&amp;nbsp;&lt;/p&gt;

&lt;h3 aria-level=&quot;3&quot; lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{78}&quot; paraid=&quot;620255046&quot; role=&quot;heading&quot; xml:lang=&quot;FR-FR&quot;&gt;Auteur&amp;nbsp;&lt;/h3&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{89}&quot; paraid=&quot;673628359&quot; xml:lang=&quot;FR-FR&quot;&gt;À la frontière entre l&amp;rsquo;écoute du paysage et la composition&amp;nbsp;in situ, dans la porosité proposée par une &amp;oelig;uvre qui se frotte au réel, acteur du développement de l&amp;rsquo;art sonore en espaces libres, compositeur de pièces multiphoniques pour le spectacle vivant en espace public,&amp;nbsp;&lt;strong&gt;Stéphane Marin&lt;/strong&gt;&amp;nbsp;s&amp;rsquo;investit depuis 2003 dans des aventures sonores&amp;nbsp;in situ&amp;nbsp;qui partent à la rencontre d&amp;rsquo;espaces atypiques. En 2008, suite à l&amp;rsquo;attribution d&amp;rsquo;une bourse d&amp;rsquo;auteur &amp;laquo; Écrire pour la Rue &amp;raquo; (SACD &amp;ndash; DMDTS), il crée &amp;laquo; Espaces Sonores &amp;raquo;, une compagnie dédiée à la création sonore contextuelle et aux arts de l&amp;rsquo;écoute.&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{96}&quot; paraid=&quot;1233976260&quot; xml:lang=&quot;FR-FR&quot;&gt;Son désir d&amp;rsquo;espaces et sa pratique du sonore se concrétisent sous la forme de parcours ou de siestes sonores, de marches d&amp;rsquo;écoute à oreilles nues ou &amp;laquo; augmentées &amp;raquo;, de yoga des oreilles, ou bien encore d&amp;rsquo;installations sonores architecturales. Ces formes ont été co-produites par des structures comme Lieux Publics (Centre national et pôle européen de création, Marseille), L&amp;rsquo;Usine (CNAREP, Tournefeuille), Le Cube (Centre de création numérique, Issy les Moulineaux), l&amp;rsquo;Espace Mend&amp;egrave;s France / Lieu Multiple (Centre de culture scientifique, technique et industrielle, Poitiers).&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{103}&quot; paraid=&quot;1479575526&quot; xml:lang=&quot;FR-FR&quot;&gt;Le rayonnement de la compagnie Espaces Sonores est aussi bien métropolitain (Projet culturel de territoire &amp;ndash; Toulouse Métropole / &amp;laquo; Passeport pour l&amp;rsquo;Art &amp;raquo; / lauréat du dispositif &amp;laquo; Toulous&amp;rsquo;up ! &amp;raquo; ‒ ville de Toulouse), régional (Comcom Perpignan Méditerranée / Lycée Agricole Beaulieu, Auch / Maison Salvan, Labège), national (MNHN, Paris &amp;ndash; CCAS ‒ Domaine de Chamarande &amp;ndash; ZAT, Montpellier &amp;ndash; Musiques Démesurées, Clermont-Ferrand, I Sulleoni Festival, Bastia), qu&amp;rsquo;international (Singapore Arts Festival ; &amp;laquo; Semana de la Escucha &amp;raquo;, Medellin, Colombie &amp;ndash; &amp;laquo; Hearsay International Audio Festival &amp;raquo;, Kilfinane, Irlande ; &amp;laquo; When Art meets Science &amp;raquo;, Bozar, Bruxelles).&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{110}&quot; paraid=&quot;931498732&quot; xml:lang=&quot;FR-FR&quot;&gt;Il produit par ailleurs des pièces radiophoniques pour France Culture, Arte Radio, et RFI.&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{117}&quot; paraid=&quot;916508286&quot; xml:lang=&quot;FR-FR&quot;&gt;Sa musique est publiée sous les labels Unfathomless (BEL), Galaverna (IT), et Weber &amp;amp; Alcantu (ALL).&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{124}&quot; paraid=&quot;1975959376&quot; xml:lang=&quot;FR-FR&quot;&gt;Il donne régulièrement des conférences et des workshops (ULB, ENSAT, ESAV, EESI&amp;hellip;) invitant tous les publics à tendre l&amp;rsquo;oreille.&amp;nbsp;&lt;/p&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{131}&quot; paraid=&quot;748737848&quot; xml:lang=&quot;FR-FR&quot;&gt;Site web :&amp;nbsp;&lt;a href=&quot;https://www.espaces-sonores.com/&quot; rel=&quot;noreferrer noopener&quot; target=&quot;_blank&quot;&gt;Espaces Sonores&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;

&lt;h3 lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{138}&quot; paraid=&quot;1320605993&quot; xml:lang=&quot;FR-FR&quot;&gt;&lt;strong&gt;Copyright&amp;nbsp;&lt;/strong&gt;&lt;/h3&gt;

&lt;p lang=&quot;FR-FR&quot; paraeid=&quot;{75933ca3-8cd0-438d-a692-bad12da962b6}{145}&quot; paraid=&quot;1708653996&quot; xml:lang=&quot;FR-FR&quot;&gt;Tous droits r&amp;eacute;serv&amp;eacute;s.&amp;nbsp;&lt;/p&gt;